Joyce DiDonato , Maria Stuarda. Joshua Hopkins , Cecil. Edit Cast Episode credited cast: Search for ” Donizetti: Share this Rating Title: You must be a registered user to use the IMDb rating plugin.

Usually, some artistic license is used and the characters remain the same age, even though historically many years have passed. I have never understood why Anna Caterina Antonacci agreed to do the part of Elisabetta in MIlan, at La Scala, rather than Maria—which is clearly the more impressive part. Actors intoned and declaimed; Malibran and other singers drove audiences into a frenzy with their vehement and razor-sharp recitation; and composers, including Verdi, Wagner, and the giants on whose shoulders they stood, Donizetti among them, prized artists who dug into their words while also delivering the vocal goods. Add the first question. Sir David McVicar , Director. The Met opera stage is truly enormous, and the striking set was dominated by a huge platform; it was as if all the action were happening on the scaffold itself.

Our privacy policy was last updated on Friday 25 May View it here Dismiss. The wonderfully slimy Leicester was incredibly impressive, reaching with ease notes that would strike fear into the heart of many a tenor.

Donizetti: Maria Stuarda

Her characterisation was simply stunning, with every emotion shown clearly in HD. Matthew PolenzaniEarl of Leicester. From Olivia Colman ‘s delightful acceptance speech to a Wayne’s World reunion, here are mqria favorite moments from the Oscars. The lights are out in Allemonde: My only wish is that I could have been in the Met theatre to experience the whole thing in person.

However, there were moments when I longed to see the bigger picture of what was going on onstage, so of course compromises have to be made. How to add your events to Bachtrack.


Usually, some artistic license is used and the characters remain the same age, even though historically many years have passed. History and questions of filiation haunt Maria Stuarda.

DonizettiMaria Stuarda. Maria Stuarda 19 Jan 8. Season 7 Episode 8.

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Maria Stuarda – MET (2012-2013) – Maria Stuarda – MET (2012-2013)

Her website is here. The score is incredibly vocally demanding and emotionally fraught, and for the singers to have to think up answers to occasionally quite ridiculous questions was surely not at all helpful while they were preparing for the second half.

The opera opened with a remarkably athletic performance from a set of acrobats and circus performers, which provided marla few opening laughs and took full advantage of the obviously extravagant costume budget; every character looked as if they had walked straight out of the past — no shortcuts were made for the stage here, and this was shown on screen.

One of the players: There was one, searing and inspired, that took place whenever Joyce DiDonato held the stage as Maria, and there was xast more humdrum affair that transpired 213 she was absent. There are a few odd details: Full Cast and Crew. Use the HTML below.

Add the first question. In Act II, the tragedy really unfolds, as Mary is sentenced to death and journeys to the scaffold. Matthew Rose as Talbot acquitted himself best with his alert, great-hearted singing in the long, ever-shifting duet between Mary and her keeper when she learns of her impending death.


“The Metropolitan Opera HD Live” Donizetti: Maria Stuarda (TV Episode ) – IMDb

It was with great curiosity that I set off for the Barbican on Saturday night. Explore popular and recently added TV series available to stream now with Prime Amria. A great review, I would have loved to have attended stuarxa performance on account of Ms. Sir David McVicarDirector. She sang the role of Elisabetta a short while ago in a concert performance in Frankfurt. Lord Talbot Maria Zifchak The versatility and control of the female leads was breathtaking, especially the dynamic stuardda of DiDonato, whose beautiful high notes were at times magically quiet and effortlessly controlled.

This revival of the Met’s year-old production of Aida had a disappointing debut in the title role but Dolora Zajick’s reign as Amneris is still a force of nature.

Her voice has a sure, sometimes fiery upper extension that won her loud applause, but it is underpowered in its lower reaches, and the verbal mush she spewed contrasted unfavorably with the more trenchant singing of DiDonato and other cast members.